Jimmy Scott!
Origins of the Beatle song Ob-La-di-Ob-la-da!
Jimmy Scott played congas with Ambrose Campbell in Soho Clubs in the 1950s and probably into the 1960s as well.
Oladipupo Adekoya (Alias Ambrose) Campbell was born in Lagos, Nigeria. His interest in the local West African palm wine music that eventually evolved into different genres of highlife, juju and other forms was just the beginning of his innovation and talent. A lot of respectable African musicians cite him as their main inspiration.
It didn't stop there, he arrived in Britain during World War II and by the late forties to the early fifties was resident at Abalabi Club which later became Ronnie Scotts.
Paul first heard the words 'Ob-La-Di, Ob-La-Da' uttered by Nigerian conga player Jimmy Scott, whom he met at the Bag o' Nails club in Soho, London. A flamboyant and unforgettable character in dark glasses and African clothing, Scott was renowned for his catch phrases: "He used these phrases every day of his life," says Doug Trendle (a.k.a. Buster Bloodvessel) who later worked with him in the band Bad Manners. "He walked around using them. He was from the Yoruba tribe and if you find someone from the Yoruba they will tell you that 'Ob-La-Di, Ob-La-Da' means 'Life goes on'."
Jimmy Anonmuogharan Scott Emuakpor was born in Sapele, Nigeria, and came to England in the Fifties, where he found work in the jazz clubs of Soho. He played with Georgie Fame and the Blue Flames in the Sixties, backed Stevie Wonder on his 1965 tour of Britain and later formed his own Ob-La-Di, Ob-La-Da Band.
The fact that Paul used this catch phrase as the basis of a song became a matter of controversy. "He got annoyed when I did a song of it because he wanted a cut," Paul told Playboy in 1984. "I said 'Come on, Jimmy. It's just an expression. If you'd written the song, you could have had the cut.'"
'Ob-La-Di, Ob-La-Da' has been cited as the first example of white reggae; although the phrase was Yoruba, the song Paul created around it and the characters he invented were from Jamaica. When recording the vocals, Paul made a mistake in singing that Desmond, rather than Molly,"stayed at home and did his pretty face". The other Beatles liked the slip and so it was kept. Paul loved the song and wanted it to be a single. John always hated it!
Jimmy Scott played congas on the session (July 5, 1968) - the one and only time he worked with the Beatles. Later that year, he appeared on the Rolling Stones' Beggars Banquet album and in 1969 at the Stones' free concert in Hyde Park. Around this time he was arrested and taken to Brixton prison to await trial on a charge of failing to pay maintenance to his ex-wife. He asked the police to contact the Beatles' office to see if Paul would foot his huge outstanding legal bill. This Paul did, on condition that Scott dropped his case against him over the song.
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